My New Favorite Diva Orange Blossom: Elie Saab Le Parfum Intense

Once you love a note, you start to see the holes in your collection for that note, and you start to search for the variation you want. You become obsessed with finding the perfect "fresh", "gourmand", "woody", etc., for a particular note. Of late as you know I have been in love with jammy/gourmand roses. Before that I was basically looking for a marshmallow/gourmand orange blossom which I found in Au Pays de la Fleur d'Oranger Neroli Blanc Intense Eau de Parfum. As for my everyday radiant orange blossom, it has been Elie Saab's Le Parfum. For an excellent take on a creamy incense orange blossom I pick up Lorenzo Villoresi's Dilmun. Anyways, my point is I like orange blossom and it has occurred to me that I don't have a big voluptuous orange blossom scent in my collection. Well, it actually didn't occur to me until I sampled Elie Saab's Le Parfum Intense* and boom there it was hole in my collection I was made aware of. I don't have a shoulder pad wearing diva orange blossom that is for the evening or being the center of the party.

We should back up a moment though and discuss Elie Saab's Le Parfum, which is a modern vibrant orange blossom that has Francis Kurkdjian's signature smooth musk and crystalline glow all around it. It is orange blossom on hyper-drive and is utterly modern, I love it, and always feel put together when I wear it. What I also love is the cedar basenote that Kurkdjian implements in its drydown it keeps the scent away from the ever overused modern patchouli drydown you can find everywhere these days. The cedar also makes the scent never go into the territory of over sweet. It is bright and modern but at the same time no slouch, on the other hand it is pretty ladylike.

Elie Saab Le Parfum Intense is the less ladylike variation, it is frankly the variation of Le Parfum on the prowl. Elie Saab Le Parfum Intense is about going into the sweet territory thankfully Kurkdjian recognizes is what he wants from the use of sweet, it is heady and drenched. This is a not a gourmand sweet but rather Kurkdjian has dunked his orange blossoms in honey and liquid amber and thrown a few chewy dried apricots in. What you get is a heady narcotic white blossom variation on the original Elie Saab Le Parfum, Intense is still radiant but the cedar has been toned down, and role of honey has been heightened and amber has warmed up the scent. The scent is no longer about silk but instead velvet and brocade.

Try Elie Saab Le Parfum Intense if you like Elie Saab Le Parfum, Au Pays de la Fleur d'Oranger Neroli Blanc Intense Eau de Parfum, or Serge Luten's Fleurs d'Oranger.

*Can we all be honest that Francis Kurkdjian is great perfume creator but good god, his creations no matter the designer or himself for that matter, have some of the most confusing names for their flankers.

first image from fragrantica.com
second image Guy Aroch

Heliotrope Confection, Tackling A Classic: Farnesiana by Caron

Here is what I can tell you about my decant of Caron's Farnesiana it is from before the era of extreme reformulations but probably not from the era of perfect vintage goodness. On the other hand Caron's Farnesiana is the perfume I have smelled closest to actually capturing the scent of heliotrope. The first time I smelled the heliotrope was years ago while visiting a friend in Chicago and the day before my departure we visited the amazing Chicago Botanical Gardens, where I spied the tiny dark purple flowers of heliotrope. I remember being so shocked by the scent of heliotrope because truly it was almond accented with a cool pungent quality to it. Such a powerful distinct scent wafted from those tiny little violet flowers.

Much has been written about Farnesiana and what I always run across is the emotions it can conjure in the wearer. For me Farnesiana is an unapologetically feminine confection of a scent. It reminds of tea parties, candied flowers, and pastels. You are entering a sunlit sitting room that most definitely has something frilly on the table and there is delicate China. I sort of adore the fact this scent is the unapologetic uber-feminine. It is rare to actually find that in a scent these days, a great deal of the time now it is also paired with sexy, sporty, or fresh. I am reminded a bit of the Gothic Lolita movement and can easily see this scent working perfectly with those fun uber-feminine dark edged little outfits.

Underneath the heliotrope and mimosa of Farnesiana there lurks a balsamic mix of vanilla, anise, and opoponax which gives the scent an unexpected darker depth. Yet, the heliotrope goodness of Farnesiana never leaves even as the dry down comes into view. The powder and balsamic co-mingle and I am reminded just a bit of the French spice bread Pain d'Epice.

Overall, Caron's Farnesiana for me is an opus to Heliotrope. It is a gourmand that plays with the almond-y facets of heliotrope and lets the wearer be in a place of supreme calm and pretty.

Try if you like Guerlain's L'Heure Bleue, L'Artisan's Jour de Fete, Trussardi Jeans for her, or Sonoma Scent Studio's Lieu de Reves.

First image from Caron.
Second image from Cashmere Lover

Serenity and Spring and Tackling A Classic: Climat by Lancome

It took me about 8 years to appreciate this scent and yet yesterday I had one of those total zen moments when your perfume is exactly what you need for the day and matches the beauty you see in the day. This does not happen often. Climat, I finally get you. I couldn't get you in my mid-twenties and maybe I needed a terrible drought to appreciate you but damn yesterday you were the perfect embodiment of what my heart needed to get through the day.

Climat is an example of family of perfumes that has taken me a very long time to appreciate, a green floral emphasized with aldehydes. This scent smells classic and it is very classic in the sense that it has no sweetness. Climat probably works for me because it does not feature the signature green note that most green perfumes use: galbanum. Yet, there is no mistaking Climat for being anything else than a green floral scent.

Climat is stepping into a cool green spring forest. There are lush green hills, a creek in the background, cool dark damp earth, and lily of the valley and narcissus blooming. Below all that is a warm civet accented musk, on me this is all very clean and warm, but for others I can see this is either where the scent plays nice on you or becomes something else. The beginning of Climat is aldehydes, thankfully not too pungent or nose searing, in fact they are fairly gentle. You then enter a perfect melange of woods, narcissus, and lily of the valley. This melange stays around for quite awhile with the florals slowly leaving, what then enters the dry down is a mossy mix of musk and woods with a good dose of vetiver. It is an incredibly clean and earthy scent, I want to say soapy, but this is not the traditional soapy, this violet earthy soapy, there is a very mineral like quality to the dry down which I attribute to the mix of earthy and clean.

The variation of Climat I am reviewing today is from Lancome's La Collection release from my understanding there is a great deal of variation in the releases of Climat so try with caution. This one is by many considered the best of the recent releases because it is especially close to the original offering.

Try Climat if you like Trefle Pur by Atelier Cologne, Balenciaga Paris by Balenciaga, or Au Dela - Narcisse des Montagnes by Bruno Fazolarri (I actually have a theory that Climat Inspired this scent).

First image from Fragrantica.com
Second image 'Dreaming of Pomegranates' by Felice Casorati

Fuzzy, Warm, Fresh, and Golden: Onde Extase by Giorgio Armani

Isn't that bottle mysterious and attractive? I love it but I must say I don't think it actually represents the juice inside it. The color of that bottle should have been a variation on warm golden yellows with hints of green because that is what Armani's Onde Extase smells like as far as color is concerned. On the other hand I sort of adore that the bottle is not a "traditional" feminine color.

Onde Extase is a scent that was a bit ahead of its time. It came along in the era of fruity florals and niche scents exploring incense and woods. If it were released now with woodier and more floral scents being the trendier scents on the market I suspect it would have been a different story. Onde Extase is a soothing and pretty blend of florals and woods.

The floral aspect of Onde Extase is of two lesser loved floral notes a fluffy effusive mimosa and a gentle narcissus note that adds a hint of elegant greenery supporting these floral notes is a creamy jasmine which frequently hints at jasmine green tea. The mimosa is the most prominent of the floral notes, it is happy and resplendent, it's golden sunlight in late afternoon.

What supports the florals is cedar, sesame, musk, and a tiny hint of vanilla. The most interesting aspect for me is the gentle use of cedar it is not the patchouli so frequently used now or the smooth liquor wood accord found in Estee Lauder's Sensuous, but cedar, a note rarely these days emphasized in feminine perfumes. Combined with the sesame note it creates a warm nutty fuzzy base for the florals.

Overall the effect of Onde Extase is lightness, smoothness, powder, and tranquility. I am reminded of tea and incense in a mountain garden fully blooming with butterflies fluttering.

Try if you like: Yves Saint Laurent's Cinema, Bvlgari's Bvlgari Pour Femme, Lorenzo Villoresi's Dilmun, or Donna Karan's Gold.



First image from fragrantica.com
second image from thekimonogallery.tumblr.com

Roses and Pomelo: Sud Magnolia by Atelier Cologne

Don't let the ad-copy fool Sud Magnolia is neither a southern scent nor a opulent magnolia scent on the other hand it is a very pretty fresh scent with a few tricks up its sleeve.

I'll say it now the best part of Sud Magnolia for me is the opening. It is a wonderful mix of the cool bubblegum note you can get from magnolia with orange and a vibrant note of saffron. The saffron is a fun addition that you don't usually see in fresh floral fragrances and after smelling it in Sud Magnolia I think someone needs to run with the idea. The saffron highlights the spicy coolness of the scent and keeps the orange in check.

As the saffron and orange retreat out comes a fresh rose, which is very peony-esque, and it is coupled with a gorgeous pomelo note. I happen to love the scent of pomelo finding it to be a combination of grapefruit, jasmine, and lime it is wonderfully heady, sweet, and tart all at the same time. The rose and pomelo combination create a cheery and fresh floral scent that cheerfully sticks around. Every once in awhile you catch a hint of cedar but the scent is mainly anchored by musk, the usual clean musk, but one of the trademarks of Atelier Cologne is they are able to keep the citrus around also.

Sud Magnolia has good longevity and should definitely appeal to fans of spritely fresh florals.

Try if you like Dame Perfumery's Cassis, Rose, and Sandalwood, Cacharel's Noa Fleur, Atelier Cologne's Orange Sanguine, Keiko Mecheri's Sanguine, or Kenzo' s Eau de Fleur de Magnolia.

first image from ateliercologne.com
Second image from fashionbombdaily.com

The Prettiest Girl In The Room: Lolita Lempicka L'Eau En Blanc

Sometimes you forget you like pretty, like the easy pretty, where there is frankly nothing else but pretty going on. As a scent lover this is even easier to forget because most of the time your passions are for the things that are less easy because you are rather sick of the banal. You confuse banal with pretty. This is a sad confusion which I easily blame on the crap that is usually on the mass market perfume counters that is called "pretty." A good deal of the time it is banal, so you frequently pass it by with good reason, but in doing so you end up becoming jaded to the idea of a pretty fragrance. At least I have, maybe others not so much, but I frequently forget I like pretty scents. And then every once in awhile I am wonder struck by one because it makes me remember that pretty can be really good in a scent.

Maybe I should back up for a moment and also mention that pretty is frequently equated with floral perfumes and pure floral perfumes have always been a very small legion I get along with. Other people wear them beautifully but for me screechy can frequently happen, the pretty getting outweighed by whatever off note chose to manifest on my skin, that then causes me discord.

Lolita Lempicka L'Eau En Blanc is pretty, it's not banal, but you know what neither is it going to cause argument. What it is a springtime variation of Lolita Lempicka the original scent. Take the notes down that could be too much in warm weather and instead heighten the violet and iris note, let a little greenery enter the scent. Accent the almond note with more heliotrope then heighten it just a little with the tint of raspberry, the raspberry is used with a perfect hand never overwhelming the fragrance but rather it flutters around the edges of the almond meringue scent in L'Eau En Blanc. The raspberry also tones down the white musk note giving it a fruity edge that allows for the powder of the scent to mingle easily with sweet notes of the perfume. Finally keep that delicious tonka, vanilla, and vetiver mix of the original but let it be lightened up by the musk and iris.

What you end up having is a very pretty scent that is still interesting but allows the wearer to feel a little more at ease in the heat of Spring and Summer, the iris and violet are allowed to show their cooling properties but the gourmand qualities of Lolita Lempicka are still allowed to play.

Try if you Falling In Love by Philosophy, Trussardi Jeans for her, Lieu de Reves by Sonoma Scent Studio, or Apres L'Ondee by Guerlain.

first image from punmiris.com
Second image from metmuseum.org

Next Week Is All About The Pretty

Next week I will be celebrating "pretty" perfumes. You know the ones that have no hard edges and don't require a thesis on why they are brilliant but rather you sniff them and immediately thing "Mmm, that smells good."

image from kinfolk.com

The Children of PHI Une Rose de Kandahar: Rose Flash and Vanilla Flash by Tauerville Perfumes aka Andy Tauer

It should be at this point stated that Andy Tauer loves roses. He has created multiple scents dedicated to roses. And one of his great opus roses is the rather elusive PHI Une Rose de Kandahar. A gorgeous gourmand fougere rose. It is a rose that tackles apricots, tobaccos, cinnamon almond pastries, and musky herbal goodness. It is a big opulent scent worthy of praise. It is also on the elusive side of acquiring, the rose used in it is hard to obtain, Andy has always been up front about the fact the scent cannot be constant in his offerings.

I am going to make the argument that PHI Une Rose de Kandahar has been very inspiring for Andy Tauer and that technically it has inspired two flankers: Rose Flash and Vanilla Flash. I know flankers if bit of divisive term because it usually means "crap" but sometimes someone actually uses it properly and creates fragrances that have a clear pedigree to another fragrance but are definitely fragrances of their own.

The first is Rose Flash, perhaps one of the most gourmand roses out on the market. I will also say the price is beyond generous in what you are getting. In this case if you have smelled PHI you will remember that it starts with a gorgeous sweet mix of apricot, cinnamon almond pastry, and rose. This opening is so delicious and makes an excellent argument for roses and stone fruits supported by cinnamon pastry. With Rose Flash, Tauer amps the fruit and rose idea, which he has also played with in Une Rose Vermeille (that scent a combo of rose and raspberry), here we are treated to roses, peaches, berries, and spicy vanilla all with that touch of ambregris effusiveness. The connection to PHI in Rose Flash is the marriage of rose and stone fruit, here the aspect is more peachy than apricot, but still it is the lush jam of roses and peaches echoing the apricot rose jam beginning of PHI. The further proof of heritage is the eventual dry down of Rose Flash that echoes the tobacco and vanilla found in PHI.

Rose Flash ends on a bed of tobacco, vanilla, and ambergris and from that bed does Vanilla Flash jump. Vanilla Flash amps up the spicy decadent cinnamon pastry note found in PHI. If you love that moment where PHI is cinnamon almond pastry with hints of rosewater then Vanilla Flash is for you. The beginning is vanilla and cinnamon, it is big, but then quickly enters that delightful rose note, a clear echo of the rose in Rose Flash. Vanilla Flash eventually ends in blend of vanilla, spices, tobacco, and the ever present ambergris note. The connection to PHI smelled in the tobacco and ambergris blend.

At this point I am hoping for Almond Flash and Apricot Flash.  What I find interesting when doing a comparison of all three of these perfumes, is that word "Flash" is excellent in describing the Flash series of scents because they are flashier than PHI. PHI is a smoother more subdued scent, where as the Flash series of scents is about quickly announcing themselves and getting to the point. They are delightful in their pointed assertiveness, they are obviously the more boisterous children of the more melodious PHI. There is no doubt that PHI is the more sophisticated scent of the three and the more sensual with the addition of a prominent musk note, but for sheer playful delight the Flash series wins.

First Image: Andy Tauer

The Weirdest Scent In My Collection: Un Jardin Apres La Mousson by Hermes

Yes, you read that correctly the weirdest scent in my collection is from Hermes Un Jardin series, which is essentially for the most part fairly easy going and pleasant. The scents are interesting, but weird is not an attribute you give them.

What makes Un Jardin Apres La Mousson such a little oddity is that it plays with the idea of fruit and savory notes. For me it is close to the equivalent of one of my favorite combos in the summer for when the days are absurdly hot. Chilled watermelon sprinkled with chili powder and salt and a squeeze of lime or lemon. My boyfriend's mother prefers her's with a sprinkle of cumin seed and salt instead. So what does Mousson do? Mousson is the combination of cardamom, ginger, and watermelon, it sounds intense, but it isn't. Jean-Claude Ellena is able to do an incredible balancing act of juicy watermelon combined with spicy cardamom all on a bed of vetiver.  It is light, tangy, and spicy, with watery notes. Some have accused it of being re-interpretation of the 1990s aquatics but those things always gave me a headache where as Mousson does not. It is a fruity scent that never tips itself into the banal category. I find it refreshing and cooling.

Try if you like: Ao by MikMoi, Voyage d'Hermes by Hermes, or Declaration by Cartier.

First image from Olfactoria's Travels
Second Image Caribbean Gal

Enter the King's Forest: Konig by Yosh

I grew up with wood smoke, mountains, and wilderness. In the winter our coats smelled of wood smoke and for me that is the ultimate evocation of the colder seasons.  If you can also evoke the scent of damp chilly woods even better.

The books I loved the most when I was younger were fantasies with heavy fairy tale/ folk lore elements. I adored the dark primal qualities they had with hints of the sinister and the mystical. These qualities I am describing are not easily found in perfumes. Perfumes usually go with other story lines, the uber-sensual taking up most conversation, yet if you enter the sphere of indie/niche perfumes you find that sometimes a perfumer goes down less known path.

Konig by Yosh is a perfume that goes down a different path. It is a scent that evokes the images of forests at the cusp of before turning into winter. The cold rains of Autumn have come already, there is barely a bedraggled leaf on a tree and only the oldest overly ripe moldering fruit is left on the branch. There are mists at the edge of each day. Yosh has created the dark fairy tale country in Konig.

 The scent begins with the lightest note of  Autumn, a beautiful fleeting apple note. From there the perpetual scent of smoke, woods, and leather enter.  Here I am reminded of lapsang souchong tea that has been mixed with cold woods. As the wood smoke calms down on the skin what emerges is the tangy note of vetiver, it smooths out the leather and smoke. Yosh creates perfect balancing act with the use of vetiver, it keeps the leather and smoke smooth and reigned in. Eventually the evergreen notes of the scent are allowed to emerge, they are natural and subtle. Konig is a wearable dark fairy tale.

Try Yosh's Konig if you like Ormonde Jayne Woman, Guerlain's Vetiver, or Knize Ten.

image Greg Shield

Lipstick and Loukhoum: Traversee du Bosphore by L'Artisan

Traversee du Bosphore by L'Artisan is an odd one. I like it but as many have pointed out the qualities it aspires to create, a marketplace in Istanbul, is not what the user actually gets.

So what are you actually getting with Traversee du Bosphore? Imagine an expensive suede handbag with an owner who frequently carelessly tosses expensive lipstick, tobacco, makeup powder, and fruity loukhoum into it. The purse is a mess inside but the mess smells good. The rosy chewy scent of expensive lipstick is supported by a powdery fruit note from loukhoum, and in the background with the lightest touch is suede and tobacco. It is a scent that hints at the gourmand but is not actually a gourmand scent, it is a fairly easy going scent, that uses divisive notes. Overall it is a balanced scent nothing is overpowering the other. It is a bit Chanel like in that the blending is the point; no one note is blaring above the others. It feels like a weird take on the lipstick rose genre scent. Instead of violets, loukhoum takes their place and instead of pure makeup powder to support the lipstick, it has been mixed with powdery tobacco and suede. It is basically the scent of lipstick at a bar.

Try if like Frederic Malle's Lipstick Rose, Etat Libre d'Orange's Putain des Palaces, or Vivienne Westwood's Anglomania.

image Slava Fokk

Taken With Indigo and Dusk or How I know I Like A Musk: Rasa by Ava Luxe

There is a pretty easy test for me to tell if I like a musk, the scent reminds me of indigo and dusk. I have no idea why I associate a good sensual musk with indigo and dusk but I do. I think it may be because I associate otherworldly with dusk and dark blues with violet edges and good musk for me should smell otherworldly. I am aware of the irony considering musks are meant to enhance the scent of our skin...but for me a good musk is supposed to smell like enchantment. For me Ava Luxe's Rasa is one of those dusky indigo musks.

Ava Luxe's Rasa is dark sensual musk that also balances itself with with an absurd creamy lightness. I am always a bit shocked by how easy it is for me to wear but it is. The musks are balanced perfectly with a creamy iris and earthy labdanum, the ambregris offering its beautiful diffusiveness so that scent lingers around the wearer at a comfortable distance. Yet, I never feel like I am overbearing in this scent nor do I feel torrid. While it is no doubt sensual with its reminder of bare skin it does not make me feel as though I have spent the afternoon in bed with a lover. It is a wonderfully serene scent for me.

Try Ava Luxe's Rasa if you like Kiehl's Musk, Serge Luten's Clair de Musc, Sonoma Scent Studio, or Serge Lutens Gris Clair.

image by George Barbier

Do You Need A Rose? Consider Sonoma Scent Studio

I think it can be established by now that I love rose scents, but as we all know getting a good rose scent can require some sampling, and every rose lover wants a certain quality of rose accentuated. If you are looking for a new rose scent, then please consider Sonoma Scent Studio, and the three rose scents offered. The quality of scents are superb.

For the lovers of true rose, you know the kind, the one that is fresh, green, dewy, and reminds of rose gardens, consider Velvet Rose. Velvet Rose is a true rose and a lovely one. It is blatantly about rosiness and nothing else. The spice, zest, greenness, and dewiness of a rose at the height of its bloom are accentuated beautifully. The base is clean musk that is deepened with sandalwood, the rose is the shining star still, but wafts are akin to tea roses, and rosewater. If you want big glorious dewy rose then this is the scent for you.

Try Velvet Rose if you: Paris by Yves Saint Laurent, the 1000 Roses line by Andalou, and Bvlgari Pour Femme.

I don't think Rose Volupte could be more aptly named, for it truly is a voluptuous rose scent. Rose Volupte starts off with an enveloping scent of roses, powder, lemon, and plum the vintage inspiration of this scent is announced immediately. The rose then becomes mildly spiced and then the enveloping final stage of rose, ambregris, and oakmoss. And truly this is the enveloping, imagine rich fabrics, and concerts. Very romantic and dramatic.

Try Rose Volupte if you like L'Arte di Gucci, Chanel Bois des Iles, and the original Agent Provocateur.

The last rose offering by Sonoma Scent Studio is my favorite, Rose Musc. Rose Musc is a very thousand and one nights scent to me. Like all my favorite musk scents it evokes the color of a indigo sky at dusk. The rose is lush and perfectly balanced with smooth creamy musk that has a gorgeous depth of labdanum and the added luminous quality of ambregris. This a mystic scent to me.

Try Rose Musc if you like Ava Luxe's Rasa, Montale's Musk to Musk, or Lancome's Mille and Une Roses.

Image 'Follow the Roses' by Perla Maarek

Give It A Little Heat And You Are Good To Go: Pepper Ylang by Smell Bent

I like ylang ylang. I feel at times it is the forgotten tropical floral, everyone either loves jasmine, gardenia, or plumeria but for me it is ylang ylang. On the other hand ylang ylang is a bit of a weirdo smell. It is cold, pungent, at times described as rubbery or like cold cream. More often ylang ylang is a supporting player take for example Chanel No.5. The most known prominent ylang ylang scent though is not a perfume but rather Nivea's original scent, a heady mix of ylang ylang and rose with other delightful notes. Either way as you can see ylang ylang is all over the place.

So what is Pepper Ylang by Smell Bent like? Well, first let me share how excited I am that someone has done another ylang ylang perfume, because there really are not that many around. I think Smell Bent has put out a really nice little scent that shows someone obviously loves ylang ylang there. The scent starts with a full lovely ylang ylang note which I found works best when there is a little heat in the air, with heat it blooms on the skin, and offers an airy quality that reminds me of seaside and sand, but with no coconut. The pepper note offers a really interesting spiciness that emphasizes the hot cold effect in ylang ylang. The base of sandalwood, myrrh, and vanilla are just the right amount of sweetness and woods and meld into skin easily. What I really like about this scent is that it is not too sweet, the creamy woods work wonderfully to enhance the ylang ylang note. I am highly tempted to get a full bottle of this for the summer.

Try Pepper Ylang if you like Eau Moheli by Diptyque, Bronze Goddess by Estee Lauder, or Yin and Ylang by Sonoma Scent Studio.

Image by Conrad Roset

Putting Spring in Your Perfume

In California it has been Spring for awhile, so I have actually had the chance to get out my spring perfumes, and really figure out which ones are the most spring-ful to me. So without further nattering my picks for Spring. Also, this following list is only for perfumes still in production.

1. Elie Saab Le Parfum. Do you need a resplendent orange blossom with a bit of earthy cedar and honey? Which is also easy to find? Then pick up the original Elie Saab scent. You will glow in this scent and get compliments. It is the best orange blossom on the mass market at the moment and I still love it.

2. Jour d'Hermes by Hermes. Do you often wonder what a modern spring goddess would smell like? I suspect it would probably be this. A tart tangy grapefruit opening followed by a bouquet of flowers. The funny thing with each wearing I get a different emphasis on different flowers or notes. Sometimes it is tiare, other times freesia, in other moments sweet peas, and one time delicious musk.

3. Le Temps d'Une Fete by Nicolai Parfumeur Createur. A glowing yellow field full of earth, musk, narcissus, and sweet herbs. Utterly gorgeous and just makes you want to keep inhaling. A unique take on oakmoss that I actually like.

4. Cassis, Rose, & Sandalwood by Dame Perfumery. Juicy current and peonies followed by roses and woods, I am reminded of easier going L'Ombre Dans L'Eau by Diptyque. If you have ever found the L'Ombre Dans L'Eau too harsh and green try this one.

5. Trefle Pur by Atelier Cologne. Need to feel fresh, earthy, and completely classy? Pick this one, I am always reminded of rolling green hills and green ferns when I wear this one.

6. Neroli Blanc Intense Eau de Parfum by Au Pays de la Fleur d'Oranger. The great orange blossom gourmand, sweet and lively, this scent is for feeling joyous. It makes me think orange blossom cream and first stone fruit of spring.

7. Lieu de Reves by Sonoma Scent Studio. Rainwater violets, sweet rose water, heliotrope and with a sweet amber iris dry down. A lovely rainy spring day at a pastry shop.

8. Pepper Ylang by Smell Bent. The hot cold sweet scent of heady ylang ylang with a smooth drydown of vanilla and myrrh. A happy yellow scent.

image from ili-ili.net

A Dark Entrancing Vanilla: Vanille Botanique by Dawn Spencer Hurwitz

It has been a long time since a vanilla caught my attention. Other than Jeffrey Dame's Black Flower I have not been interested in many vanilla fragrances recently and then of course something extravagantly gorgeous passes your way.

The first time I smelled Dawn Spencer Hurwitz's Vanille Botanique was on paper and it didn't really click with me very much, I kept on smelling the paper, and thinking yes that smells good but it didn't really tell me just how good it could smell. Luckily the shop owner of the perfume store I was at sent me home with a sample.

Vanille Botanique may be one of the most seductive vanillas I have smelled in a long time. It belongs to the genre of vanillas that are drier and not dessert but it is different from other vanillas in this category in that it is not boozy. It is woodsy balsamic vanilla with clear classical qualities. It definitely shares a heritage with Guerlain's Shalimar but thankfully has none of the qualities that makes Shalimar a gross beast on me. Rather Vanille Botanique is all about vanilla and amber tinged balsams, the vanilla remains throughout the scent, as the scent progresses dark sexy balsams are revealed. There are tiny hints of leather in the scent that give the balsamic notes an anchoring.

 I cannot emphasize enough how gorgeous this vanilla is or how sensual it is. There is nothing cutesy or girlish about this scent, it is a pure luxury vanilla. You are going to find yourself entranced. Extra plus this is a pure botanical scent and has amazing longevity and strength.

Try if you like Aroma M's Geisha Noire, Guerlain's Shalimar, Guerlain's Spiriteause Double Vanille, Jean Desprez Bal a Versailles, and Givenchy Organza Indecence .

Madonna by Alessandra Maria from Spoke-Art

Indie Perfume House Spotlight: Dame Perfumery

In a bizarre way I have a long history with Jeffrey Dame of Dame Perfumery in that my first perfume haunt in the heady days of the early aughts was at the message board Perfume of Life that he created. It was a great place to learn about perfume and at the time one of the few places to meet like minded fumeheads. Things change Mr. Dame went on to new projects, Perfume of Life is closed now, and the world of perfume lovers is far larger. In the years since it appears Jeffrey Dame has worked in many perfume projects but I feel that in 2014 he made the big transition, to what I suspect is a lifetime passion project, Dame Perfumery.

What I find really refreshing about Dame Perfumery is the enthusiasm, heart, and joviality behind it. It is very much in line with wonderful Andy Tauer of Tauer Perfumes and Tauerville, there is a respect for the perfume lovers that support them, and the appearance of joy in sharing their creations. I find this refreshing because while there are the great noses of the world that work for the big houses, the reality is that those of us who are perfume lovers will never interact with them and frankly they don't particularly want to interact with us. Dame Perfumery is of the new school though, that if you have people loving your creations, interact with them.

So what can you expect from Dame Perfumery perfumes? Well I haven't tried them all but I have tried four and I can tell you there is a definite common aesthetic in them. They are clearly modern perfumes but and here is the part that takes Dame out of the mundane there is real craft in them, a real value in note transition and transformation. These scents are about smelling good and enjoying yourself, if you are looking oddness look somewhere else but lets not think that means his scents are boring, they're not. They are tailored and as far as I am concerned tailoring is one of the great crafts of the world. To tailor is to know your ingredients and how they play with others. A finally tailored perfume knows how to cut the harsh edges and awkward angles but knows how to emphasize the best facets and facets should be interesting.

The first perfume that I had real experience with in the Dame Perfume collection is Black Flower Mexican Vanilla and it I am going to be honest it is one of the best recent vanilla releases. What Dame did with this perfume is frankly pretty daring when it seems like most vanillas released these days are either gut bombs or insipid cupcakes, he instead chose a middle vanilla, it's dry but not boozy, it keeps the sweet but the sugar won't kill your teeth. The opening is love letter to the iconic Shalimar in that it begins with animalic lemon tinged vanilla but then it takes a turn to the drier side the lemon is gone the musk backs down and out steps spicy dry cocoa dusted vanilla. At this point I am reminded of the lesser loved Guerlain vanilla, Cuir Beluga, a vanilla that wasn't about booze like Spiritueuse Double Vanille, but rather about skin and vanilla. Black Flower Mexican Vanilla is able to emphasize the beauty of musk and vanilla together, it is a common combination, but one that recently has been ignored and has been due for a reinvention. Dame Perfumery does a fine job in giving vanilla its sex appeal back with an actual reference to the muskiness of skin.

The next perfume I fell in love with is Cassis, Rose, and Sandalwood. So what are you getting with this scent? Well, for me this is a lovely take on two types of fragrances the berry musk category best identified with L'Artisan's Mure et Musc, Philosophy's Falling In Love, or Bath and Body Works Black Raspberry & Vanilla and my other favorite combo berried rose jam scents such as Tauer's Une Rose Vermeille, Keiko Mecheri's Attar de Roses, or the scent of LUSH's Rose Jam. Dame combines the two to make a lovely easy uber pretty perfume. The start is tart cassis, grapefruit, and green notes followed by a heart of velvety soft pink peony that is softened with musk and vanilla. The dry down rose jam with hints of vanilla and woods. The dry down is my favorite stage and thankfully stays around a long time, the longevity and strength of this perfume is excellent.

Next up is the spicy opulent brand new release Desert Rose. If you are a rose fan you owe it to yourself to try this scent. The opening is an intense rush of spicy pink carnation followed by a satiny smooth pink rose scent that retains the spice but blooms on the skin with musk, a hint of peach, and vanilla. It is lovely and sonorous and belongs in the category of queenly roses such as Neela Vermeire's Mohur and Jo Malone's Velvet Rose & Oud.

Finally there is Herb Man, Dame Perfumery's first men's offering. I like to think of this as smoothed out herbal scent, on my skin I mainly get sage, lavender, and rosemary that are supported by sueded  iris and vetiver. This is a very polished scent that blends well with the individual wearer. I think a wearer of Infusion d'Homme would really enjoy this.

What I love about these scents is that they are complete scents, they do not feel unfinished. Finally I must say that the price point for these is excellent and because he is a perfume lover himself, Jeffrey Dame smartly sells the perfumes in smaller sizes.

Disclaimer: I received these scents in a giveaway done by Dame Perfumery.

All images from fragrantica.com

Tackling the Classics: Angelique Encens by Creed

Once long ago for a song I got a decant of Angelique Encens by Creed. It was almost on a whim that purchase and now looking back I really wish I had gotten more. Angelique Encens has now been discontinued by Creed, in the weird Creed fashion where it apparently goes into their "vault", and is then released once a decade as a limited edition. Whatever, Creed. I will stop my annoyance with Creed and go to the actual scent.

Angelique Encens is truly worthy of the adoration that those who have smelled it bestow on it. It is simply one of the most beautiful delicate dry interesting takes on incense out there. The beginning of Angelique Encens for me is the sweet entrance of angelica, a note with not enough love in perfume as far as I am concerned, easier on the nose than anise with a green sweet gentleness that perks up your mouth when you smell it. It is then followed by a soft marshmallow vanilla and a very soft dove grey amber, what then follows is the most interesting use of a cedar incense. The use of the cedar incense offering a unique spark to Angelique Encens, it keeps the scent balanced in a world of ethereal and cool.

While many associate this scent with Marlene Dietrich, the scent was made for her by Creed, I have always had other images in my head with this scent. The softness of it so wonderfully hazy that it makes for something more comforting than noir. It is a misty gray scent, all softness, but never overt.

Try if you like: L'Heure Bleau by Guerlain, Jicky by Guerlain, or Chergui by Serge Lutens.
first image provided by fragrantica.com 
second image: Fumee d'Ambre Gris by John Singer Sargent

Easy on the Senses: Perfumes For When You Just Want White Noise

I think my relationship with perfumes in the winter is a bit like my relationship with holiday foods. By the time January rolls around I am wanting hot, bitter, sour, and brothy foods that scream this is vitality. I find these comforting but at the same time they are utterly the opposite of the rich dense foods that start in November and end December. While I wouldn't describe them as white noise they do offer the wake-up call that my tongue very much needs after all the butter and cream.

When January rolls around I suddenly crave white noise scents. I am needing a break from the dense spices, ambers, and uber-amped scents that go great with a a holiday mood but when work and soothing come into the picture are just too much. I like to call these scents white noise scents, many would categorize them as comforting, but for me they provide the perfect veil of scent without being intrusive like white noise they keep the discordant out but allow you to focus.

Elizabeth & James Nirvana Black oil, the perfect soothing blend of sandalwood and vanilla with a dash of violet. I am frequently reminded of Tam Dao when I where this but the vanilla and violet add just a hint more creaminess. This scent is so easy and blends easily with your day.

Auric Blends Egyptian Goddess, one of the best Egyptian musks out there, and provides you with an easy clean lovely musk.

Trussardi Jeans: rainwater, violets, irises, heliotrope, and almonds all on a layer of creamy grains. A cool and warm and effect that is instantly soothing.

Ted Lapidus Silk Way, a musky light heliotrope incense with hints of cedar.

image: Liminal Moment by Bobbette Rose via alyzenmoonshadow.com

Beginning the New Year

There is nothing quite like getting a cold to decommission you from smelling perfume and if it is a particularly nasty one it will leave you congested for a very long time. On the other hand in that time of healing and rest it allowed me to think about how I wanted to focus my perfume blogging this year. Consider it a sort of New Year's resolution list of how I want to consider perfumes this year.

*More indie perfumers! I cannot believe the amazing beautiful perfumes this group is putting out. In some ways I consider indie perfumers an offshoot of niche and many ways better. First off the customer service, the desire to communicate and see what people are loving about their perfumes, this simply does not happen with most niche lines.
*A focus on California perfumers. I feel like there is a renaissance happening here that I want to get to know. From MikMoi, Shelley Waddington, to Sonoma Scent Studio there seems to be really group of perfumers in the state that all have really wonderful visions for the perfumes they are putting out.
*At least one entry a week, I like to talk about perfume, consider it a joy, but between school and work I frequently lose track of it. I feel like I need to pay more attention to the things I enjoy.

image by Olaf Hajek