Saturday, May 16, 2015
We should back up a moment though and discuss Elie Saab's Le Parfum, which is a modern vibrant orange blossom that has Francis Kurkdjian's signature smooth musk and crystalline glow all around it. It is orange blossom on hyper-drive and is utterly modern, I love it, and always feel put together when I wear it. What I also love is the cedar basenote that Kurkdjian implements in its drydown it keeps the scent away from the ever overused modern patchouli drydown you can find everywhere these days. The cedar also makes the scent never go into the territory of over sweet. It is bright and modern but at the same time no slouch, on the other hand it is pretty ladylike.
Elie Saab Le Parfum Intense is the less ladylike variation, it is frankly the variation of Le Parfum on the prowl. Elie Saab Le Parfum Intense is about going into the sweet territory thankfully Kurkdjian recognizes is what he wants from the use of sweet, it is heady and drenched. This is a not a gourmand sweet but rather Kurkdjian has dunked his orange blossoms in honey and liquid amber and thrown a few chewy dried apricots in. What you get is a heady narcotic white blossom variation on the original Elie Saab Le Parfum, Intense is still radiant but the cedar has been toned down, and role of honey has been heightened and amber has warmed up the scent. The scent is no longer about silk but instead velvet and brocade.
Try Elie Saab Le Parfum Intense if you like Elie Saab Le Parfum, Au Pays de la Fleur d'Oranger Neroli Blanc Intense Eau de Parfum, or Serge Luten's Fleurs d'Oranger.
*Can we all be honest that Francis Kurkdjian is great perfume creator but good god, his creations no matter the designer or himself for that matter, have some of the most confusing names for their flankers.
first image from fragrantica.com
second image Guy Aroch
Tuesday, May 12, 2015
Here is what I can tell you about my decant of Caron's Farnesiana it is from before the era of extreme reformulations but probably not from the era of perfect vintage goodness. On the other hand Caron's Farnesiana is the perfume I have smelled closest to actually capturing the scent of heliotrope. The first time I smelled the heliotrope was years ago while visiting a friend in Chicago and the day before my departure we visited the amazing Chicago Botanical Gardens, where I spied the tiny dark purple flowers of heliotrope. I remember being so shocked by the scent of heliotrope because truly it was almond accented with a cool pungent quality to it. Such a powerful distinct scent wafted from those tiny little violet flowers.
Much has been written about Farnesiana and what I always run across is the emotions it can conjure in the wearer. For me Farnesiana is an unapologetically feminine confection of a scent. It reminds of tea parties, candied flowers, and pastels. You are entering a sunlit sitting room that most definitely has something frilly on the table and there is delicate China. I sort of adore the fact this scent is the unapologetic uber-feminine. It is rare to actually find that in a scent these days, a great deal of the time now it is also paired with sexy, sporty, or fresh. I am reminded a bit of the Gothic Lolita movement and can easily see this scent working perfectly with those fun uber-feminine dark edged little outfits.
Underneath the heliotrope and mimosa of Farnesiana there lurks a balsamic mix of vanilla, anise, and opoponax which gives the scent an unexpected darker depth. Yet, the heliotrope goodness of Farnesiana never leaves even as the dry down comes into view. The powder and balsamic co-mingle and I am reminded just a bit of the French spice bread Pain d'Epice.
Overall, Caron's Farnesiana for me is an opus to Heliotrope. It is a gourmand that plays with the almond-y facets of heliotrope and lets the wearer be in a place of supreme calm and pretty.
Try if you like Guerlain's L'Heure Bleue, L'Artisan's Jour de Fete, Trussardi Jeans for her, or Sonoma Scent Studio's Lieu de Reves.
First image from Caron.
Second image from Cashmere Lover
Tuesday, May 05, 2015
Climat is an example of family of perfumes that has taken me a very long time to appreciate, a green floral emphasized with aldehydes. This scent smells classic and it is very classic in the sense that it has no sweetness. Climat probably works for me because it does not feature the signature green note that most green perfumes use: galbanum. Yet, there is no mistaking Climat for being anything else than a green floral scent.
The variation of Climat I am reviewing today is from Lancome's La Collection release from my understanding there is a great deal of variation in the releases of Climat so try with caution. This one is by many considered the best of the recent releases because it is especially close to the original offering.
Try Climat if you like Trefle Pur by Atelier Cologne, Balenciaga Paris by Balenciaga, or Au Dela - Narcisse des Montagnes by Bruno Fazolarri (I actually have a theory that Climat Inspired this scent).
First image from Fragrantica.com
Second image 'Dreaming of Pomegranates' by Felice Casorati
Friday, May 01, 2015
Isn't that bottle mysterious and attractive? I love it but I must say I don't think it actually represents the juice inside it. The color of that bottle should have been a variation on warm golden yellows with hints of green because that is what Armani's Onde Extase smells like as far as color is concerned. On the other hand I sort of adore that the bottle is not a "traditional" feminine color.
Onde Extase is a scent that was a bit ahead of its time. It came along in the era of fruity florals and niche scents exploring incense and woods. If it were released now with woodier and more floral scents being the trendier scents on the market I suspect it would have been a different story. Onde Extase is a soothing and pretty blend of florals and woods.
The floral aspect of Onde Extase is of two lesser loved floral notes a fluffy effusive mimosa and a gentle narcissus note that adds a hint of elegant greenery supporting these floral notes is a creamy jasmine which frequently hints at jasmine green tea. The mimosa is the most prominent of the floral notes, it is happy and resplendent, it's golden sunlight in late afternoon.
What supports the florals is cedar, sesame, musk, and a tiny hint of vanilla. The most interesting aspect for me is the gentle use of cedar it is not the patchouli so frequently used now or the smooth liquor wood accord found in Estee Lauder's Sensuous, but cedar, a note rarely these days emphasized in feminine perfumes. Combined with the sesame note it creates a warm nutty fuzzy base for the florals.
Overall the effect of Onde Extase is lightness, smoothness, powder, and tranquility. I am reminded of tea and incense in a mountain garden fully blooming with butterflies fluttering.
Try if you like: Yves Saint Laurent's Cinema, Bvlgari's Bvlgari Pour Femme, Lorenzo Villoresi's Dilmun, or Donna Karan's Gold.
First image from fragrantica.com
second image from thekimonogallery.tumblr.com
Wednesday, April 29, 2015
Don't let the ad-copy fool Sud Magnolia is neither a southern scent nor a opulent magnolia scent on the other hand it is a very pretty fresh scent with a few tricks up its sleeve.
I'll say it now the best part of Sud Magnolia for me is the opening. It is a wonderful mix of the cool bubblegum note you can get from magnolia with orange and a vibrant note of saffron. The saffron is a fun addition that you don't usually see in fresh floral fragrances and after smelling it in Sud Magnolia I think someone needs to run with the idea. The saffron highlights the spicy coolness of the scent and keeps the orange in check.
As the saffron and orange retreat out comes a fresh rose, which is very peony-esque, and it is coupled with a gorgeous pomelo note. I happen to love the scent of pomelo finding it to be a combination of grapefruit, jasmine, and lime it is wonderfully heady, sweet, and tart all at the same time. The rose and pomelo combination create a cheery and fresh floral scent that cheerfully sticks around. Every once in awhile you catch a hint of cedar but the scent is mainly anchored by musk, the usual clean musk, but one of the trademarks of Atelier Cologne is they are able to keep the citrus around also.
Sud Magnolia has good longevity and should definitely appeal to fans of spritely fresh florals.
Try if you like Dame Perfumery's Cassis, Rose, and Sandalwood, Cacharel's Noa Fleur, Atelier Cologne's Orange Sanguine, Keiko Mecheri's Sanguine, or Kenzo' s Eau de Fleur de Magnolia.
first image from ateliercologne.com
Second image from fashionbombdaily.com
Monday, April 27, 2015
Sometimes you forget you like pretty, like the easy pretty, where there is frankly nothing else but pretty going on. As a scent lover this is even easier to forget because most of the time your passions are for the things that are less easy because you are rather sick of the banal. You confuse banal with pretty. This is a sad confusion which I easily blame on the crap that is usually on the mass market perfume counters that is called "pretty." A good deal of the time it is banal, so you frequently pass it by with good reason, but in doing so you end up becoming jaded to the idea of a pretty fragrance. At least I have, maybe others not so much, but I frequently forget I like pretty scents. And then every once in awhile I am wonder struck by one because it makes me remember that pretty can be really good in a scent.
Lolita Lempicka L'Eau En Blanc is pretty, it's not banal, but you know what neither is it going to cause argument. What it is a springtime variation of Lolita Lempicka the original scent. Take the notes down that could be too much in warm weather and instead heighten the violet and iris note, let a little greenery enter the scent. Accent the almond note with more heliotrope then heighten it just a little with the tint of raspberry, the raspberry is used with a perfect hand never overwhelming the fragrance but rather it flutters around the edges of the almond meringue scent in L'Eau En Blanc. The raspberry also tones down the white musk note giving it a fruity edge that allows for the powder of the scent to mingle easily with sweet notes of the perfume. Finally keep that delicious tonka, vanilla, and vetiver mix of the original but let it be lightened up by the musk and iris.
What you end up having is a very pretty scent that is still interesting but allows the wearer to feel a little more at ease in the heat of Spring and Summer, the iris and violet are allowed to show their cooling properties but the gourmand qualities of Lolita Lempicka are still allowed to play.
Try if you Falling In Love by Philosophy, Trussardi Jeans for her, Lieu de Reves by Sonoma Scent Studio, or Apres L'Ondee by Guerlain.
first image from punmiris.com
Second image from metmuseum.org
Friday, April 24, 2015
Next week I will be celebrating "pretty" perfumes. You know the ones that have no hard edges and don't require a thesis on why they are brilliant but rather you sniff them and immediately thing "Mmm, that smells good."
image from kinfolk.com